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Who is the father of boxing?

James Figg (before 1700 – 8 December 1734; also spelt James Fig) was an English prizefighter and instructor in historical European martial arts. While Figg primarily fought with weapons including short swords, quarterstaffs, and cudgels, he also played an important role in boxing's development.

en.wikipedia.org - James Figg - Wikipedia

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English martial artist (before 1700-1734)

The verses below read:

The Mighty Combatant, the first in Fame,

The lasting Glory of his Native Thame,

Rash, & unthinking Men! at length be Wise,

Consult your Safety, and Resign the Prize,

Nor tempt Superior Force; but Timely Fly

The Vigour of his Arm, the Quickness of his Eye.[1] Mezzotint by John Faber , c. 1727–1729 (after a John Ellys portrait)The verses below read: James Figg (before 1700[a] – 8 December 1734; also spelt James Fig[5]) was an English prizefighter and instructor in historical European martial arts. While Figg primarily fought with weapons including short swords, quarterstaffs, and cudgels, he also played an important role in boxing's development. In 1719, he opened a London fighting venue that could seat more than 1,000 spectators and was one of the first of its kind. In 1725, he organized and promoted modern history's first international boxing match at his amphitheatre. He claimed to have won more than 200 matches during his career, and was posthumously considered to be the first boxing champion. Little is known about Figg's early life, except that he came to London from Thame, Oxfordshire. In London, Figg gained a reputation as a skilled fighter and set up a business training students in combat with weapons and fists. He promoted fights with both male and female combatants at his venue as well as bouts of animal blood sport. He also set up outdoor boxing booths and rings at fairs and in fields and parks around London. By the end of his career in the early 1730s, Figg had fought in front of European royalty, including George II and the future Holy Roman Emperor Francis I, as well as aristocrats, politicians, writers, artists, and actors, and was one of the better-known personages in London. Among depictions of Figg in art and literature, art historians most discuss him for his friendship with William Hogarth and his appearance in several of the artist's paintings and engravings.

Fighting career [ edit ]

James Figg was born in Thame, Oxfordshire,[6] sometime before 1700, though various sources dispute the exact year.[a] Little is certain about his early life before 1714,[7] by which time he was a student of the defence instructor Timothy Buck of Clare Market.[8] In 1719, Figg opened an amphitheatre and fighting school in London adjoining the City of Oxford tavern in Oxford Road, Marylebone, where he taught bare-knuckle boxing, fencing, quarterstaff and cudgel combat.[9] While boxing had existed for decades, and a fenced enclosure existed in Hyde Park for practitioners of historical European martial arts, Figg appears to have been one of the first people to turn combat sports into a business.[10] His venture was one of the earliest and most noted indoor fighting venues of its time.[11] His students included early professional prizefighters such as William Flanders, William Gill, and Thomas Sibblis, as well as men of the gentry and nobility.[12] Figg was also a fight promoter and hosted boxing matches fought by both male and female pioneers in the sport such as Thomas Allen, John Gretton, Bob Whitaker, and Elizabeth Wilkinson,[13] as well as bouts of animal blood sport, including bear-baiting and tiger-baiting.[14] Though Figg posthumously gained a reputation as a boxing pioneer, he primarily fought with weapons such as short swords, quarterstaffs and cudgels.[15][16][17] The only known occasions on which Figg fought public boxing matches were at the Southwark Fair[18] where he would fight fair-goers,[19] though he also set up fighting booths and rings in fields and parks including Smithfield, Moorfields, St George's Fields, and Hyde Park.[20] However, Figg played an important role in organizing and promoting the first international boxing match in modern history. On 20 January 1725, Figg organized and promoted a match between Venetian gondolier Alberto di Carni and English drover Bob Whitaker.[21][22] George II watched the fight from a specially constructed royal box.[23]

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Figg fought semi-regular matches with recurring opponents, a common practice among prizefighters at the time. For example, he fought a man named Rowland Bennet on at least 23 occasions over the course of his career, and in 1730, Figg reportedly fought another man three times in two months. He also fought matches in which he and another weapons master would face off against another pair of fighters.[24] Figg's greatest rival appears to have been Edward Sutton, a pipe maker of Gravesend,[25] against whom he fought a series of heavily publicised matches,[26] including one in which Figg suffered his only recorded defeat, having taken a wound in the belly and being "cloven in the foot".[27] In 1725, the poet John Byrom visited Figg's amphitheatre where he saw Figg fight Sutton. He reported: "Figg had a wound and bled pretty much; Sutton had a blow with a quarterstaff just upon his knee, which made him lame, so then they gave over".[28][29] On 6 June 1727, Figg defeated Sutton at the former's amphitheatre before an audience of approximately 1,000 spectators, including Prime Minister Robert Walpole, Poet Laureate Colley Cibber, and satirist Jonathan Swift.[30] In October 1730, the Ipswich Journal reported: "the invincible Mr. James Figg fought at his Amphitheatre Mr. Holmes, an Irishman, who keeps an Inn at Yaul near Waterford in Ireland, and came into England on purpose to fight this English Champion". It was reported that during the bout, Holmes had his wrist cut to the bone and was therefore forced to retire. It was stated that this fight was the 271st contest Figg fought without defeat.[31][32]

Later life and death [ edit ]

After 1730, Figg largely gave up serious fighting, though he fought exhibition matches with Jack Broughton.[33] In December 1731, he also won a sword fight against John Sparks at the Little Theatre in Haymarket, which was attended by foreign dignitaries including the Duke of Lorraine and Count Kinsky.[34][35] In June 1731, Figg began teaching at new premises in Poland Street, and his student Thomas Sibblis took over the Oxford Road amphitheatre.[36] Figg died on 8 December 1734 and was buried in the churchyard of St Marylebone on 12 December.[37] Little is known of his family except that his wife gave birth to a son the day after Figg's funeral.[38] His former student George Taylor took over Figg's business after his death.[39]

The Gentleman's Magazine of April 1735 published the following epigram:[40]

Brave Figg is conquer'd, who had conquer'd all,

Yet death can boast but little by his fall,

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For, half afraid, he threw a leaden dart,

And maim'd him, e'er he pierc'd his noble heart.

Th' undaunted hero, grimly, as he fell,

Look'd for his arms, and swore by heav'n and hell,

Death never should his conquest have secur'd

Had he fought fairly with a staff or sword.

Legacy [ edit ]

By the end of his career, Figg was a recognizable and famous person in London.[41] Royalty, aristocrats, politicians, writers, artists, and actors attended his fights,[42] and in autumn 1729, Figg was made gate-keeper to upper St James's Park by the Earl of Essex.[43][44] He appeared in the writings of John Byrom,[45] Henry Fielding,[46] and Alexander Pope,[47] and his portrait was sketched and painted by artists John Ellys[48] and Jonathan Richardson.[49] Artist William Hogarth was also a friend and admirer of Figg, who appears in several of the former's paintings, including Southwark Fair, in which he brandishes a sword on horseback in the lower right corner,[50] and in The Levée, the second entry in the series A Rake's Progress, in which he stands third from the left holding quarterstaffs among the rake's tutors.[51][52] Figg may also be the bald man lying on the floor at the center-bottom of A Midnight Modern Conversation,[53] though Hogarth captioned the picture: "Think not to find one meant resemblance there, we lash the Vices but the Persons spare".[54] Hogarth's painting The Pugilist was long attributed as a portrait of Jack Broughton, but Hogarth scholar Elizabeth Einberg and boxing historian Tony Gee have both claimed that it is probably of Figg.[55][56] Figg was inducted into the International Boxing Hall of Fame in 1992[57] and the Bare Knuckle Boxing Hall of Fame in 2010.[58] A blue plaque dedicated to him was unveiled at The James Figg Pub (formerly The Greyhound Inn), Cornmarket, Thame, on 14 April 2011.[1]

In art [ edit ]

A Rake's Progress: II – The Levée by William Hogarth, c. 1732–1734; Figg stands third from the left, between the fencing master and the dance instructor, wearing a white wig and holding two quarterstaffs. Southwark Fair by William Hogarth, c. 1733-1734; Figg features as the mounted swordsman in the bottom right corner. A Midnight Modern Conversation by William Hogarth, c. 1733; Figg may be the bald man lying on the floor in bottom-center. The Pugilist by William Hogarth may be a portrait of either Figg or Jack Broughton.

Notes and references [ edit ]

Notes [ edit ]

References [ edit ]

Books [ edit ]

Journals [ edit ]

Borg, Alan (2004). "The Monarch of Marylebone Plains: James Figg's Place in 18th-Century British Art". The British Art Journal . 5 (3): 35–36. JSTOR 41614575. Brailsford, Dennis (1982). "Sporting Days in Eighteenth Century England". Journal of Sport History . 9 (3): 41–54. JSTOR 43609260. Johnson, Christopher (1996). " 'British Championism': Early Pugilism and the Works of Fielding". The Review of English Studies . 47 (187): 331–351. JSTOR 518283. Roberts, Randy (1977). "Eighteenth Century Boxing". Journal of Sport History. 4 (3): 246–259. JSTOR 43610520.

en.wikipedia.org - James Figg - Wikipedia

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